n.p, 1978. 1st edition, illustrated broadside. This long, narrow broadside is printed on brown paper with black ink for the text and red ink for the illustration, copyright date, and printer's logo. Size: 17 inches high x 5.5 inches wide. Issued one year prior to the broadside of the same... More
Tungsten Press, N. H., 2016, 1st edition, limited (1/74) numbered and signed, broadside. Handsomely designed and printed in three color ink by C W Swets, set in Bembo and Folio type. Size: 6.25 inches high x 9 inches wide. Fine, 'as new' at the published price. More
Emory VA: Iron Mountain Press, 1983. 1st edition, limited (1/200) numbered and signed, broadside. Printed from handset type by Rhonda Story, with a small line drawing for illustration. The poetry broadside is custom matted and framed. Overall size: 15 inches high x 12 inches wide. Fine condition. More
Birmingham, AL: Thunder City Press, 1976. 1st edition, limited (1/200) signed, broadside. Published as "The Thunder City Press, No. 7," a broadside series by Steven Ford Brown. Printed in black with decorations on cream paper. Size: 14 inches high x 8.5 inches wide. No listings appear on OCLC. Very little wear, fine condition. More
New York: Poet's Guild, (n.d., circa 1922-1925). 1st separate edition, broadside. Published in "The Unbound Anthology" series by The Poet's Guild in New York City. Also known as "The Christodora Broadsides." Exceptionally elusive and very scarce. The title of this poem was later changed to "The Blue Bird," and is... More
New York: Poet's Guild, (n.d., circa 1922-1925). 1st separate edition, broadside. Published in "The Unbound Anthology" series by The Poet's Guild in New York City. Also known as "The Christodora Broadsides." Exceptionally elusive and very scarce. This poem is among Dickinson's most popular pieces. Overall size: 7.5 inches high x.... More
Aurora: Wells College Press, 2000. 1st edition, limited (1/50) signed, broadside. Printed in two color ink on fine paper. Size: 15 inches high x 9 inches wide. Professionally shrink wrapped on acid free foam core. Fine condition. More
Tungsten Press, N.H., 2010. 1st edition, limited (1/26) lettered and signed, broadside. A handsomely designed broadside, set in Folio and printed on Fabriano Umbria. The entire edition, printed in three color ink with two edges deckled, consists of only twenty-six copies lettered and signed by the poet. Size: 9.5 inches... More
Gambier, OH: Kenyon Review, 2011. 1st edition, limited (1/25) lettered, signed, with special star insignia. The first printing of this poem, designed by Joumana Khatib as the letterpress edition. Printed on Firenze paper at the Igloo Press, using Arno Pro and Steelfish fonts. As the colophon states, an edition of... More
Worcester, MA: Worcester Polytechnic Institute, 2012. 1st edition, broadside. Printed in red ink on fine paper by Milk Row Press, "for the occasion of a reading by Albert Goldbarth on March 22, 2012" (from the colophon). Size: 9 inches high x 5.5 inches wide, approximate. Specially signed in full by... More
Alexandria, VA: Railway Station Press, 2005. 1st edition, limited (1/120) numbered and signed, broadside. Handsomely designed and printed by Stuart Bradley on heavyweight Arches Johannot paper, a French acid free mouldmade paper. The text is printed in Emerson hand set type, the title in Bernard Modern Roman, and the printer's... More
Alexandria, VA: Railway Station Press, 2007. 1st edition, limited (1/70) numbered and signed, broadside. Handsomely designed and printed by Stuart Bradley at the Railway Station Press using two color ink on fine textured stock. Overall size: 10 inches high x 7 inches wide. Fine, 'as new' condition. More
West Chester, PA: Aralia Press, 2009. 1st edition, limited (1/140) broadside. Specially signed by Hall in black ink under his printed name. Handsomely designed and printed in two color ink using Romanee types. Size: 12.5 inches high x 7 inches wide. An uncommon Hall broadside, and especially scarce signed. Fine condition. More
n.p., n.d. 1st edition, broadside. As described in the Kelleher bibliogrphy: "6 x 9 inches; black print on light blue paper. Note: This version includes two extra stanzas not found in the version that appears in KICKING THE LEAVES (Harper & Row, 1978), and OLD AND NEW POEMS (Ticknor and... More
Friends of the University of New Hampshire Library, 1983. 1st edition thus, limited (1/100) broadside. Printed in burnt sienna ink on tan pebbled paper, the entire text calligraphy by Douglas Strickler. Also with an illustration of a man walking beside an oxen pulling a cart. Overall size: 10 inches high... More
William Ewert, 1995. 1st edition, limited (1/150) illustrated, broadside. Calligraphy and illustration by R.P. Hale. This first edition was produced for the New Hampshire Science Teachers Association to recognize outstanding teachers of science and ecology from the Granite State. A beautiful publication in two color ink on fine stock, the... More
Santa Barbara, CA: Great Granny Press, 1976. 1st edition, broadside. Issued as Great Granny's No 2, edited by M. Truman Cooper. The second issue in the Great Granny postcard broadside series. Printed in two color ink on textured light blue stock with lower deckled edge. Overall size: 5 inches high... More
Santa Barbara, CA: Great Granny Press, 1976. 1st edition, broadside. Specially signed by Hawksworth in black ink. Issued as Great Granny's No 2, edited by M. Truman Cooper. The second issue in the Great Granny postcard broadside series. Printed in two color ink on textured light blue stock with lower... More
Schenectady, NY: PC Visions, 1995. 1st edition, limited (1/20) numbered and signed, broadside. Overall size: 17 inches high x 11 inches wide. Designed and printed in multicolor using a computer generated image and printer. Signed and numbered ("#17/20") by Heyen. Fine condition. More
Huntington Station, NY: Duke's Broadside Series, 2003. 1st edition, signed, broadside. Published as Duke's Broadside Series #8, and printed on orange stock in black ink. Overall size: 11 inches high x 8.5 inches wide. Signed by Heyen below his printed name, and with a correction to the text in Heyen's hand. Fine condition. More
Rochester NY: Memorial Art Gallery, 2003. 1st edition, signed, broadside. Published as The New Visions Programs Park Avenue Broadside Series No 2. The abstract illustration of Bellows' bovine is attractively accomplished using seven colors in addition to the black ink for the text. A color image of this broadside is... More
Rook Press, 1978. 1st edition, limited (1/100) numbered and signed, broadside. Published with an illustration, as "Ordinary Broadside 1" in black ink on fine paper. Professionally shrink wrapped on acid free foam core. Broadside size: 14 inches high x 7 inches wide. (Note: not to be confused with the ordinary... More
Concord, NH: Ewert/Firefly Press, 1985. 1st edition thus, limited (1/50) signed, broadside. This poem first appeared in 1984, in the author's collection WENZEL/THE GHOST. The present broadside, representing the first separate appearance of the poem, was printed in an edition of only 50 copies by the press as a gift... More
Medford, NY: Backstreet Editions, 1999. 1st edition, signed, broadside. Two poems printed on a single broadside, using black ink on yellow stock. Overall size: 11 inches high x 8.5 inches wide. Fine. More
Rochester, NY: Memorial Art Gallery/U of Rochester, 2000. 1st edition, limited (1/200) signed, illustrated broadside. Produced by William Ewert with design and two color printing at Firefly Press. "This broadside was specially issued by the Memorial Art Gallery of the University of Rochester to commemorate the DeLoss McGraw/William Heyen exhibition... More